考研網(wǎng)校 模擬考場(chǎng) 考研資訊 復(fù)習(xí)指導(dǎo) 歷年真題 模擬試題 經(jīng)驗(yàn) 考研查分 考研復(fù)試 考研調(diào)劑 論壇 短信提醒 | ||
考研英語(yǔ)| 資料 真題 模擬題 考研政治| 資料 真題 模擬題 考研數(shù)學(xué)| 資料 真題 模擬題 專業(yè)課| 資料 真題 模擬題 在職研究生 |
考研網(wǎng)校 模擬考場(chǎng) 考研資訊 復(fù)習(xí)指導(dǎo) 歷年真題 模擬試題 經(jīng)驗(yàn) 考研查分 考研復(fù)試 考研調(diào)劑 論壇 短信提醒 | ||
考研英語(yǔ)| 資料 真題 模擬題 考研政治| 資料 真題 模擬題 考研數(shù)學(xué)| 資料 真題 模擬題 專業(yè)課| 資料 真題 模擬題 在職研究生 |
2000年Passage 3
When a new movement in art attains a certain fashion, it is advisable to find out what its advocates are aiming at, for, however farfetched and unreasonable their principles may seem today, it is possible that in years to come they may be regarded as normal. With regard to Futurist poetry, however, the case is rather difficult, for whatever Futurist poetry may be even admitting that the theory on which it is based may be right, it can hardly be classed as Literature.
This, in brief, is what the Futurist says; for a noise and violence and speed. Consequently, our feelings, thoughts and emotions have undergone a corresponding change. This speeding up of life, says the Futurist, requires a new form of expression. We must speed up our literature too, if we want to interpret modern stress. We must pour out a large stream of essential words, unhampered by stops, or qualifying adjectives, of finite verbs. Instead of describing sounds we must make up words that imitate them; we must use many sizes of type and different colored inks on the same page, and shorten or lengthen words at will.
Certainly their descriptions of battles are confused. But it is a little upsetting to read in the explanatory notes that a certain line describes a fight between a Turkish and a Bulgarian officer on a bridge off which they both fall into the river and then to find that the line consists of the noise of their falling and the weights of the officers:' Pluff! Pluff! A hundred and eighty-five kilograms.'
This, though it fulfills the laws and requirements of Futurist poetry, can hardly be classed as Literature. All the same, no thinking man can refuse to accept their first proposition: that a great change in our emotional life calls for a change of expression. The whole question is really this: have we essentially changed?
59. This passage is mainly____.
[A] a survey of new approaches to art
[B] a review of Futurist poetry
[C] about merits of the Futurist movement
[D] about laws and requirements of literature
[答案] B
[解題思路]
這道題要求從宏觀上判斷文章的主旨,考生在閱讀全文、尤其是重點(diǎn)考察各段首句(即主題句)之后得出結(jié)論不會(huì)困難,即本文討論的是對(duì)未來派詩(shī)歌的評(píng)論,因此B為正確選項(xiàng)。A的錯(cuò)誤在于本文不算是一個(gè)survey(調(diào)查)。C選項(xiàng)雖涉及未來派詩(shī)歌,卻不是文章討論的主要話題。D選項(xiàng)更是與原文風(fēng)格不相符,可以迅速派出。
[題目譯文]
這篇文章主要 。
[A] 評(píng)論新的藝術(shù)手法
[B] 評(píng)論未來派詩(shī)歌
[C] 討論未來主義運(yùn)動(dòng)的優(yōu)點(diǎn)
[D] 討論文學(xué)的規(guī)律和要求
國(guó)家 | 北京 | 天津 | 上海 | 江蘇 |
安徽 | 浙江 | 山東 | 江西 | 福建 |
廣東 | 河北 | 湖南 | 廣西 | 河南 |
海南 | 湖北 | 四川 | 重慶 | 云南 |
貴州 | 西藏 | 新疆 | 陜西 | 山西 |
寧夏 | 甘肅 | 青海 | 遼寧 | 吉林 |
黑龍江 | 內(nèi)蒙古 |